Macrocosm diagram from Charles de Bovelles. |
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Here the lightness and airiness of Theology is contrasted to the heaviness and solidity of Philosophy. Here Theology is associated with Air while Philosophy is appropriately linked with Earth.
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Similarly, the sharpness and angularity of Justice is contrasted with the fluid curves of Poetry. Justice is equated with fire while Poetry is linked with Water.
The linking of the narrative scenes at the corners of the ceiling operates like the Qualities shared by adjacent Elements in the macrocosm system. For example, Theology and Justice are linked with the Fall of Man like Heat is shared by Air and Fire.
Edgar Wind ("The Four Elements in Raphael's 'Stanza della Segnatura,'" Journal of the Warburg Institute, II, 1937/38, pp.75-79) identifies the scenes in the framework joining the personifications of the disciplines with the four elements. The upper pictures, in grisaille, are drawn from Roman history, while the lower ones, in color, have mythological subject matters. The following table summarizes Wind's identifications:
The 4 Elements in Red refer to Wind's identification of the Mythological and Roman History scenes with the Four Elements. The 4 Elements in Blue refer to the identification of the different disciplines with the Four Elements.