Gauguin, Vision after the Sermon, 1888.	Cezanne, Still Life with Plaster Cupid, 1895.
Henri Matisse (1869-1954), The Open Window, 1905 (Fauves).	Andre Derain (1880-1954), The Turning Road at L'Estaque, 1906.
Matisse, The Joy of Life,	Matisse, Le Luxe II, 1907-8.
Pablo Picasso (1881-1974), Les Demoiselles d'Avignon, 1907.
	Picasso in his studio, 1908.
	Rubens, Judgment of Paris, 1638.
	Manet, Olympia, 1863.

Maurice Denis: Remember that a picture before it is a war horse, a naked woman or some anecdote is essentially a flat surface covered with colors arranged in a certain order. "

Matisse, Le Luxe II, 1907-8.	Picasso, Les Demoiselles d'Avignon, 1907.

These two works are fundamental manifestos in the artistic revolution of the twentieth century. Define the revolutionary aspects of these two works.